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PORTRAIT OF A DIRTY MORNING 

In this project I wanted to represent a classic morning and my way of living it, trying to grasp all the aspects, from the laziness of awakening, thoughts of what you will have to do or what you have left pending, the same ones that dominates you during the preparation of the usual coffee a little watered down.

Actress: Chiara Suraci 

Sound Design: Mattia Liciotti 

Curated by: Linda Spagnolo Corso

Screenplay and Director: Carolina Attalla

BLUE DOUBLING 

In this project I wanted to represent schizophrenia through some of the elements that characterize it, interpreting them in my own way. I wanted to make it a real incarnation, a dancer that during her ballet, through her movements changes the personality of the subject who suffers from this pathology. I wanted to give her a color, the blue, marking the moments of the subject’s life. I also covered some of the more common aspects of this pathology, trying to represent the reality seen by a third character, the viewer, usually unaware of its facets.

Actresses: Maria Corsi and Chiara Suraci 

Sound Design: Giannantonio Rea

Curated by: Linda Spagnolo Corso

Screenplay and Director: Carolina Attalla

A FLOWER 

This is a little crack from which we can see a part of the fragile life of a person who changed my world and who allowed me to introduce you to a chapter of hers, through a journey into the intimacy of her thoughts and the places that best describe her.

Actresses: Maria Corsi and Chiara Suraci 

Sound Design: Giannantonio Rea

Curated by: Linda Spagnolo Corso

Screenplay and Director: Carolina Attalla

WAITING

During the quarantine period I had the opportunity to look with different eyes the world around me.

If initially the thought of being forced to stay locked in our homes did nothing but terrify me for fear of not having the chance to capture something new in my life, during my forced imprisonment, this feeling of terror slowly faded away. 

During one of my countless sleepless nights I realized that I never explored the one space that was really meant to be mine. My own house. "Waiting" is my personal escape from the captivity of my mind, where the images of my precious expeditions within the walls of my home, made during the quarantine, are accompanied by the voices of dear friends to whom I asked if they had the chance to notice something different and would never have really noticed if they had not been in a state of forced isolation, like it had happened to me.  

Sound Design: Giannantonio Rea

Curated by: Linda Spagnolo Corso

Screenplay and Director: Carolina Attalla

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MOTION GRAPHIC

BREAKBOT - BABY, I'M YOURS (LYRICS VIDEO)

Compositing

COMPOSITING

PURE IMAGINATION

COLLABORATIONS

sew your own space

Sewing your space comes from the stimulus to bring out our creativity struggling with the Covid 19.

The creative idea is based on the concept of "reinventing ourselves", when we are faced with limits, where our daily life undergoes changes.

Il video è frutto di una collaborazione, i cui ruoli sono:

Actress: Tonia Maiorino

Dog: Camillo

DOP e Colorist: Silvia Mariani 

Camera Operator and Editing by: Luisa Russo

Sound Designer: Giannantonio Rea 

Drected by: Carolina Attalla

Cuarted by: Linda Spagnolo Corso

PPM

as a rainy day for a rose of jericho

Inspired by the novel The White Nights by Fëdor Dostoevskij, As a rainy day for a rose of Jericho, was born from the collaboration of several people in the video industry, whose roles were: 


Actors: Michele Basile nel ruolo di Elia e Camilla Scheller nel ruolo di Andrea

Directed by: Giorgio Errico e Luisa Russo

Screenplay: Carolina Attalla

DOP: Giorgio Errico e Matteo Maraffio

Camera Operator: Matteo Maraffio 

Focus Puller: Ludovico Marazzini

Sound technician: Giovanni Tassi e Carolina Attalla

Editing: Giovanni Tassi

Sound Design: Giannantonio Rea

Curated by: Linda Spagnolo

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MULTI-MEDIA INSTALLATIONS

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Driven by the need to make known a world of which we hear so much but without really being informed, we decided to represent it through an artistic dimension and sometimes fun, that could be enjoyed by anyone, with the aim of deepening the knowledge of this community observed from a different point of view. 

The term "Queer" is used to indicate anything that is not "straight", and that is precisely why we represent this world through a non-linear story. 

The installation consists of four different structures, arranged at the four corners of a single space.

Each structure represents a person, belonging to the Queer world, through the creation of a diorama (from the Greek:"see through") that embodies the concept of the dollhouse, given the reduced measures.

To tell each of the individuals, a "house" has been created, divided into three different rooms: one that represents the passion, one that tells the soul and one about the size of the body. 

The viewer is invited to live an interactive experience through the pressure of the switches that are in front of each room and that allow the ignition.

The installation has been elaborated so that the viewer can come out more informed than the world we are going to tell, looking through, through a single look but more careful thanks to the reduced measures of each house, so as to build a relationship of intimacy with each of the protagonists of the installation.

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Artists: Carolina Attalla, Luisa Russo, Suzanne Wezel.

              

Curated by: Linda Spagnolo Corso

DOCUMENTATION

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In a world where the virtual experience is imposing its frequency and pervasiveness in our experience, the questions we want to ask are the following:
What does it mean to be a digital citizen?
If we are given, what does it mean to be sequences of 0 and 1?
In Latin, "sine macula" is a word with 2 meanings, "spotless" and "perfect mirror".
This pun stimulates us to explore the gray areas of this world of data, where the
our narcissistic society mirrors itself unknowingly at all times, when programs and
computers judge us by these.
We want to put the viewer in a position to understand the mechanisms through which
collected data, by means of simple operations such as a login to a web page to access
playful content.
In the realization of this process we want to remind him that as we mirror ourselves on a world
virtual to enhance our experiences, the virtual world reciprocates a look to know more
things about us, in a symbiotic relationship that our society must make transparent.

Artists: Carolina Attalla, Chiara Valdrighi, Giorgio Errico, Martino Piccolo, Niko Dimuro, Luisa Russo,

              Oscar Guardamagna.

Curated by: Linda Spagnolo Corso

DOCUMENTATION

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MNEMONIC URNS

Carolina and Mario created a work especially for Requiem for an Entourage in order to focus on the themes of memory and space to explore how these correlate. This resulted in a series of work entitled Urne Mnemoniche, which directly translates to MNEMONIC URNS. Urne Mnemoniche aims to celebrate memories, granting them the space they deserve in everyday life; the work is the perfect combination of what is the contrast and union of the two artists - who in their individual works have always aimed to develop upon  the themes of nature and technology.           

The project, designed by Carolina and Mario, follows runs directly

towards their personal lives, finding a union with two main elements:

wood and hard drives that contain the memories of the

past, also those that are ready to contain those of the future,

just as the tree has its roots in the ground and is ready to develop

branches in the sky.

Mnemonic Urns reflects the theme of alienation because the work

is an investigation of how thought and memory become detached

from reality resulting in the inability to bring them together.         

"Looking at memories from the outside is the worst kind of alienation.

Biological memories are felt, digital memories are looked at;

there is a gap between the two. What happens is that we are

no longer able to distinguish between the two.

In the age of technology, the world of ideas finds its materiality

in screens, through which we deliver our memories,

to be reproduced.

We are space and receive within us our thoughts that become memories. In contemporary society we are increasingly led to experience virtual spaces by entrusting them with the custody of our memories. With our work we are trying to give that space a physical place in which to exist."  

The artists said they feel alienated every day from something, which can be people, places, work and social media. The feeling of alienation is not something alarming for the artists but rather they are complacent, this perception that makes them burn from within but also scared, and they recognize how there is no escaping this impression - which lives inherently in our society. Within a society somewhere between the madness of Milan and the calm of Lake Como, the two spend many evenings in the company of cigarettes and beer, comparing and discussing what their ideas are: "The work is the expression of this communication and collaboration between us" say Mario and Carolina.  

                                                                                                               The artists have created a work that has combined                                                                                                                 two main elements even though they could be                                                                                                                         considered opposites: nature and technology.

                                                                                                               The two describe this absolute union as a                                                                                                                                 consequence of their process "Carolina works with                                                                                                                 the moving image and tries to figure out how to                                                                                                                       communicate with technology; she looks at new                                                                                                                     media art and the history of cinema. With a focus                                                                                                                   on the ethereal dimension this brings to our daily                                                                                                                   lives. Mario focuses on the dynamics of natural phenomena to understand how they interact with each other and the language that comes from them."         

Given this textural contrast between the two artists, we asked the two to better describe how they manage to find a balance that can well delineate their artistic vision. They responded: "The connection between nature and technology is more obvious than we think. We have created from minerals a place where electrical functions reach the complexity of thought. This causes a relationship where we are not aware of what we are interacting with. A circuit cannot be unnatural because it is made of natural materials and human minds, so it is part of the nature and extension of thought. Removing the burden of memories from our minds carries the risk of separating us from our humanity. With the awareness of this risk, we avoid separation by creating a connection with the machine, giving it the importance it deserves. Accept the change of being in it."

Artists: Carolina Attalla, Mario Uliassi. 

Curated by: Linda Spagnolo Corso, Ludovica Baldrighi, Martina Conte.

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MY STYLE

il mio stile.

WHO I AM

Amo osservare. Più di tutto mi piace interpretare i dettagli che percepisco del mondo che mi circonda e il modo che ho per farlo è raccontarlo attraverso le immagini. Per questo motivo dopo il diploma ho scelto il corso di studi di Video Design all'Istituto Europeo di Design (IED) a Milano, finalizzato ad acquisire competenze nei settori video, video-arte e arti performative.

Nei miei lavori tendo spesso a riprodurre la mia visione, talvolta intima e diretta delle cose e delle persone, ponendo il focus su dettagli e particolari che svelano e raccontano verità nascoste.

Essendo curiosa di natura per raccontare una storia non mi focalizzo mai su un’unica tecnica narrativa, ma all’inizio preferisco esplorare e valutare più modalità di fruizione per poi utilizzare quella più adatta alla tipologia di soggetto, sceneggiatura e pubblico.

 

Ho scelto e potuto sperimentare molti ruoli esecutivi sul set, il che mi ha permesso di imparare molto “dal vivo” applicando le nozioni teoriche acquisite, cercando di rendermi utile in ogni situazione collaborando con diversi team di produzione. 

La fase che più trovo interessante è quella di pensiero, dove si parte da un brief e si cerca il modo migliore per svilupparlo e risolverlo. Mi affascina il percorso di lavoro da fare per trasformare un concept in un'immagine, sia essa un video o un’installazione, che riesca a fissarne l'essenza per poi restituirla amplificata ad uno spettatore stimolato e abilitato a partecipare attivamente.

Da sempre l'arte ha fatto parte della mia vita in tutte le sue forme, iniziando con il disegno figurativo, che continuo a coltivare dipingendo, passando per il cinema, che resta la mia più grande passione, fino ad arrivare alle installazioni multimediali (focus della mia tesi di laurea).

Queste mi affascinano particolarmente in quanto parte della vastissima e attualissima area della New Media Art che ho potuto conoscere sempre meglio e sperimentare sia durante il mio percorso di studi che attraverso piccole collaborazioni e della quale, un giorno vorrei occuparmi.

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CV

ESPERIENZE

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